About Sensei Gavin Armstrong
Sensei Gavin Armstrong,
5th Dan, began his training in 1974 in Rhodesia (now
Zimbabwe), where he was born. His first instructor, Des
Botes (5th Dan), was one of Sensei Kimura’s top
students. Sensei Gavin was awarded
Shodan in 1977, winning the Rhodesian Shukokai
Championships in 1977 as well as in 1978. Although still a
junior, he won these tournaments in the adult divisions. He
was awarded Nidan in 1978, and competed throughout
southern Africa until 1981, when he joined Sensei Kimura at
his Hackensack, New Jersey dojo.
At this time, Sensei Kimura had developed a new, more
powerful method, moving away from his double hip technique
which was still being taught in Rhodesia: Sensei Gavin, who
lived and worked at the dojo as an Uchi Deshi, began
learning this new technique and was awarded Nidan
again by Kimura himself, who subsequently selected him to be
part of the team representing the USA at the first ever
Shukokai World Championships. which were held in New
Jersey.
Sensei Gavin lived at Kimura’s dojo for more than 3½ years,
managing the school, teaching classes, and training full
time, as well as managing a satellite school in Fort
Lee. During this period, he won 1st Place in Kimura’s All
Styles Invitational Tournament, twice placed 1st in Kumite
at the ASKU National Tournaments, and represented the USA at
the World Tournament in Portugal as well as the second World
Tournament held in the USA, where he took 3rd place in both
Kata and Kumite and fought as part of the Men’s Team that
took 2nd place: he earned 3rd Dan in 1984.
In 1986,Sensei Gavin joined his family’s business in
California, returning periodically to train with Sensei Kimura until
1992, when he was invited by Mr. Kimura to run the new World
Headquarters in Tenafly, New Jersey as manager and Chief
Instructor. After Sensei Kimura’s untimely death in 1995, he continued
to run the dojo until Mrs. Kimura’s decision to close the school and
return to Japan. He took this opportunity to start his own dojo in
Tenafly. Sensei
Gavin strictly adheres to the technique and method taught by
Sensei Kimura, /fontfamily>
and continues in the tradition of constantly looking for
ways to improve the techniques./fontfamily>
He continually trains with other Kimura Shukokai
instructors from around the USA as well as around the
World.
Since opening his dojo, Sensei Gavin has earned 4th Dan
(1998) and 5th Dan (2001), competed in Shukokai World
Tournaments in Germany and South Africa, and has coached his top
students to compete successfully in national and international
tournaments.
KardioKickboxing
is an intense one-hour class that incorporates many
different combinations of punches and kicks into a fast-paced
routine done to music.
The class also
includes floor conditioning for abs, arms and legs. Students of all
fitness levels are encouraged to join this class: work at your own
pace, and work up to a high level of cardio fitness in an exciting
class that burns calories and promises to get you in shape.
There is no
initiation fee, minimum class purchase or reservations necessary
for KardioKickboxing classes: drop-ins are always welcome! For
adult Karate students, KardioKickboxing classes are complementary.
Like
Karate, Yoga builds strength, balance and flexibility. Instructor
Cathy Blake encourages each student to explore yoga to harness his or
her full potential. Her unique blend combines several different styles
in a class that is appropriate for all levels, utilizing different
postures and breath work that promote calmness and clarity, peace and
serenity.
The
class provides excellent stretching and toning, and Cathy works with
each student to develop precision of alignment and fluidity, ending
each class with a deep relaxation exercise that will leave you focused
and refreshed.
There
is no initiation fee, minimum class purchase or reservations necessary
for yoga classes: drop-ins are always welcome!
.
The Meaning Of
Shukokai
Over the years I
have heard many different meanings for the name Shukokai. The most
common translation you hear is, "Loosely translated it means Way for all".
This would have to be a very loose translation.
Many years ago I had a Japanese gentleman come up to me at a
demonstration and look at the patch on my Gi, he said, " Ah -
Training, Friends, Place", as he read the three Kanji symbols under
the fist.
This made me think, so I decided to ask Sensei Kimura what Shukokai
really meant. Usually when someone asked him what a name meant he
would get aggravated at the redundancy of the question and say " a
name is a name, what does Joe mean or Bob". To him the name wasn't
important.
Asking the meaning, meant that you didn't get what he was all about.
He would have preferred that you ask him a question about technique,
than the meaning of the name. This time I was in luck, he started to
break down the word into three parts.
Depending on the context, each symbol had a different meaning. In a
martial arts context, it is as follows:
SHU
- The study of the martial arts.
KO
- People with a common cause, coming together.
KAI
- Association.
Basically it means:
AN ASSOCIATION WHERE PEOPLE COME TOGETHER TO STUDY THE MARTIAL ARTS
He went on to explain that in the 1950's his teacher, Sensei Tani, had wanted to
create an association where the heads of all styles of Karate could
come together to pool their ideas and create a standard of technique
so that everyone was on the same page, instead of the variation
which we see today (this could be where the "Way for all"
translation may have come from). However his plan didn't work,
probably due to the fact that everyone thought as they do today,
that they had all the answers and they weren't going to share. So,
Sensei Tani who was teaching Shito Ryu kept the name Shukokai as the
name of his association.
When Sensei Kimura began traveling overseas to teach he called the
style Shukokai, before that it was not a style name. As time passed
Sensei Kimura had developed his technique to a point where it was
technically different to Tani Ha Shito Ryu although he never forgot
his connections to Mr Tani and still supported him in any way he
could.
Gavin Armstrong
|
Shukokai Karate Terminology |
|
|
JAPANESE |
ENGLISH |
|
OSS |
GREETING/ACKNOWLEDGEMENT |
|
YOI |
READY |
|
KAMAE-TE |
FIGHTING STANCE |
|
ZANSHIN |
AWARENESS |
|
KUMITE |
SPARRING |
|
JODAN |
UPPER |
|
CHUDAN |
MIDSECTION |
|
GEDAN |
LOWER |
|
GERI |
KICK |
|
SHUTO |
OPEN HAND (KNIFE HAND) |
|
URAKEN |
BACK FIST |
|
GYAKU ZUKI |
REVERSE PUNCH |
|
OI ZUKI |
STEP OVER PUNCH |
|
MAEKEN ZUKI |
FRONT HAND PUNCH |
|
MAE GERI |
FRONT KICK |
|
MAWASHI GERI |
ROUND HOUSE KICK |
|
YOKO GERI |
SIDE KICK |
|
USHIRO GERI |
BACK KICK |
|
ASHI BARAI |
FOOT SWEEP |
|
GEDAN BARAI |
LOWER BLOCK |
|
SHUTO UKE |
KNIFE HAND BLOCK |
|
CHUDAN UKE |
MIDSECTION BLOCK |
|
JODAN UKE |
UPPER BLOCK |
|
SANCHIN DACHI |
PIGEON TOE STANCE |
|
SHIKO DACHI |
HORSE STANCE |
|
ZENKUTSU DACHI |
FORWARD STANCE |
|
NEKOASHI DACHI |
CAT STANCE |
|
|
|
KATA |
|
PINAN-SHODAN |
|
PINAN-NIDAN |
|
PINAN-SANDAN |
|
PINAN-YONDAN |
|
PINAN-GODAN |
|
JINN |
|
MATSUKAZE |
|
BASAI-DAI |
|
SHIHOKOSOKUN |
|
ANNANKO |
|
SEINCHIN |
|
SEIPAI |
|
SUPAREMPA |
|
NIPAPO |
Matsumura Bassai
|
COUNTING |
|
ICHI |
|
NI |
|
SAN |
|
SHI |
|
GO |
|
ROKU |
|
SHICHI |
|
HACHI |
|
KU |
|
JU |
|
The Kimura Philosophy of teaching the art of Shukokai is based on a
series of stages which plan for and follow a student’s physical and
spiritual progress during their development.
FRUSTRATION sends people searching for
a new way to deal with the challenges of their lives. Whether it is
a child who needs discipline and motivation or an adult who lacks
focus, they come to Shukokai seeking a new perspective: a different
way of looking at the world. Training here not only offers an
entirely new way to make your body work for you, it presents a
unique way to change your outlook as well, to overcome the
frustration that might be keeping you stagnant in other areas of
your life.
GOALS must be set to help end
frustration. Setting goals recognizes a desire to improve oneself.
They should be high enough to challenge, but at the same time be
within reach. Shukokai provides the perfect balance of physical and
mental challenge, as well as a series of goals that are attainable
through hard work and discipline.
The proper
PLAN toward these Goals is
essential. A proven, well-rounded system of training is the
foundation of all instruction at Tenafly Shukokai Karate.
Through
WORK, ACTION and
PROGRESS one truly
begins to see and feel the benefits of Shukokai training, and those
around you will notice a difference as well. The results of the
sweat and effort become clear:
the child will begin to show respect, exhibit discipline and display
an increase in motivation. The adult will begin to gain control and
focus energy responsibly.
At this stage, the most important benefit of Shukokai is achieved:
SELF CONFIDENCE. Not just in
Karate...but in all areas of your life as well. You'll possess the
skills to be confident, the power to be effective and the wisdom to
do what is right.
This is what the student has worked for:
SUCCESS. But the journey is far from over. New goals will be
set, new plans will be made, and continued work, action and progress
will lead to greater success.
Start your training today, and learn how Shukokai will make a
positive difference in your life: it will never be the same.
|
The Dojo Creed |
RESPECT |
In order to learn the art of Karate, you
need to show respect for those around you as well as for yourself:
you need respect for the mat as well as for your instructor. As you
learn the importance of that respect, you will gain it from
others. As you earn respect inside the dojo, others will begin to
show you that respect outside the dojo.
Respect is necessarily the first element of the creed -- it opens
the door to the following:
|
EFFORT |
|
The more you put into Karate, the more
you will get from it. There is no such thing as a “natural” in this
practice: those who come here with more ability require more
diligence to reach their personal goals. When you begin to see
results, you’ll learn that working hard is the only way to succeed. |
PATIENCE |
|
You won't become a master overnight, but
the skills and techniques taught at Tenafly Shukokai Karate are
second to none. If something is worth learning, it is worth
learning the right way. It will take time and at times seem
frustrating, but as you see yourself improve you’ll understand that
patience is its own reward. |
CREATIVITY |
|
You will be encouraged to explore your
own ideas and solve problems through creative thinking. You’ll be
given the opportunity and valuable guidance to help you overcome
obstacles in a way that feels natural and right to you. Resolving
difficult situations with creativity is an asset on the mat and in
all aspects of your life. |
TEMPERANCE |
|
Karate is not just about fighting, but
if self-defense is ever necessary, you’ll have the training to be
confident when it matter most, and the wisdom to know when to walk
away. You will understand how not to fight and still win.
|
Good etiquette means good manners. As we practice good etiquette, we
work to perfect our humanity.
-
Upon entering & exiting the dojo and the mat, students should bow
with an oss.
-
On greeting
one's Sensei or training partner, Rei (bow).
-
Swearing,
eating candy and chewing gum are at all times forbidden in the Dojo.
-
Students should
listen carefully and not talk or leave the mat when their Sensei
explains or demonstrates.
-
When a student
wants to show understanding or agreement, he or she should respond
by saying "OSS".
-
When training
with an opponent, both students shall bow simultaneously before and
after training.
-
While training
in the dojo, keep talk to a minimum and DON’T attempt to teach your
partner, if you are having difficulty, get the attention of your
Sensei.
-
Do not fold
your arms in the Dojo. This is taken as a sign of disrespect.
-
If you are ill
or have an injury, inform your Sensei, before you begin to train.
-
Always make
sure that your gi is clean and fresh before training.
-
If you need to
leave the mat for a drink or to go to the restroom, do so quickly
and return as soon as possible, don’t hang around the water cooler.
-
If you are
injured during class and are unable to continue, try to stay in the
dojo and bow out with the class when it is over.
-
If you have to
leave the class early be sure to tell your instructor. Do not just
disappear.
Martial Arts is a practice that develops:
Character, humility, gratitude, charity, confidence, self esteem, self
control, determination, patience, temperance and a sense of obligation
to pass on what is learned. No other physical discipline offers so much.
Spiritual organizations and religions strive to impart these qualities
on their members and students as well, but the art of Karate also
develops and enhances physical abilities that would take a multitude of
sports to develop. Students improve balance, coordination, muscle tone,
cardio-vascular conditioning, timing, rhythm, hand-eye coordination,
hand-foot coordination, and flexibility. Complex neural pathways are
developed through the study of Karate that also give students an
advantage in every other physical activity.
…All that, and self defense as well.
Boxing and wrestling may provide excellent self defense and
conditioning, but they don’t stress humility, respect and
gratitude. Soccer and basketball stress agility and teamwork, but will
they develop a desire to help someone in need? You definitely won’t
learn any of this lifting weights or running on a treadmill at a gym.
A martial artist may, at any one time, be doing something completely
different with each hand while carrying out complex combinations with
his/her feet and maneuvering their body like a master
contortionist. Karate is, above all, an education in body mechanics, and
students find their ability in other sports improves greatly through
this practice. Whether it is golf, soccer, tennis or gymnastics,
understanding how to use the entire body to create force is the core of
all athletic endeavors, and nowhere is this point more dramatically
revealed than when learning the proper technique to throw a punch or
kick. Anyone can fight, but fighting efficiently is the groundwork on
which Kimura Shukokai is based. As students learn how to use the body
with this efficiency and understand the importance of self-control, they
have gained invaluable knowledge that can be applied to every aspect of
their lives.
Karate is something that takes a lifetime to master: it is a discipline
that keeps teaching and developing an individual forever.
One of our instructors, a sixth degree black-belt, still trains and
teaches at the age of 92: perhaps Karate has a positive affect on
longevity as well.
Above all, Karate should be viewed not so much as a sport, but as a way
of thinking, learning, and behaving: Karate is a way of life.
- by Sensei Gavin Armstrong
The Tenafly Dojo is located in 83 NORTH
SUMMIT STREET, TENAFLY, NEW JERSEY 07670 • 201-569-5200. Cities in close
proximity to the Dojo in Bergen County, NJ:
Englewood, Closter Cresskill,
Bergenfield, Edgewater,
Fort Lee, Harrington Park, Hillsdale, Montvale, Norwood, Northvale, Old
Tappan, Paramus, ParkRidge, Rivervale, Woodcliff Lake, Westwood,
Belleville, Bloomfield, Boonton, Demarest, East Hanover, Fair Lawn,
Florham Park, Hackensack, Hillsdale, Livingston, Maplewood, Midland
Park, Millburn, Montclair, Montvale, Morristown, Northvale, Norwood, Old
Tappan, Orange, Paramus, Parsippany, Ridgewood, Teaneck, West Orange,
Westwood.
The teaching of Martial Arts, Karate,
Kardio Kick Boxing, Yoga, Shukokai, Kimura Shukokai, self-defense, Krav
Maga, can fit previous students of kung-fu, kick boxing, judo,
Taekwondo, Gongfu Kung-Fu, Taijiquan Tai-Chi Chuan, Baguazhang Pa-Kua
Chang, Xingyiquan Hsing-Yi Chuan, Qinna Chin-Na, Shuaijiao Shuai-Chiao,
Sanshou San Shou, San-Shou.
Kimura Shukokai Karate.
Related subjects to this web site:
2004 South Africa
Kimura Shukokai Karate World Championship
2006 Finland
Kimura Shukokai Karate World Championship
World Instructors Gashuko
Shukokai Kata:
PINAN-SHODAN
PINAN-NIDAN
PINAN-SANDAN
PINAN-YONDAN
PINAN-GODAN
JINN
MATSUKAZE
BASAI-DAI
BASSAI-DAI
SHIHOKOSOKUN
ANNANKO
SEINCHIN
SEIPAI
SUPAREMPA
NIPAPO
Matsumura Basai
Matsumura Bassai
Heiku
Heiko
Haiko
Haiku
Heyko
Heyku
Hayko
Hayku
Kata
JAPANESE ENGLISH
OSS GREETING/ACKNOWLEDGEMENT
YOI READY
KAMAE-TE FIGHTING STANCE
ZANSHIN AWARENESS
KUMITE SPARRING
JODAN UPPER
CHUDAN MIDSECTION
GEDAN LOWER
GERI KICK
SHUTO OPEN HAND (KNIFE HAND)
URAKEN BACK FIST
GYAKU ZUKI REVERSE PUNCH
OI ZUKI STEP OVER PUNCH
MAEKEN ZUKI FRONT HAND PUNCH
MAE GERI FRONT KICK
MAWASHI GERI ROUND HOUSE KICK
YOKO GERI SIDE KICK
USHIRO GERI BACK KICK
ASHI BARAI FOOT SWEEP
GEDAN BARAI LOWER BLOCK
SHUTO UKE KNIFE HAND BLOCK
CHUDAN UKE MIDSECTION BLOCK
JODAN UKE UPPER BLOCK
SANCHIN DACHI PIGEON TOE STANCE
SHIKO DACHI HORSE STANCE
ZENKUTSU DACHI FORWARD STANCE
NEKOASHI DACHI CAT STANCE
COUNTING
ICHI
NI
SAN
SHI
GO
ROKU
SHICHI
HACHI
KU
JU
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Shukokai Karate World Championship
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Page 1
Everything you wanted to know about dojo etiquette, but were afraid to ask.
The following is a compendium of Dojo Etiquette. Etiquette is a collection
of details, some small, some not so small. Taken together though, they make
a big diff e rence in our training as well as our everyday life. It is best
to aim for a middle ground: don’t be blasé about etiquette, but by the same
token, you don’t need to be an etiquette fascist. We all have good and bad
days and how we behave follows accord i n g l y. Although at first there
will be many forms of etiquette to re m e m b e r, they will become natural
as you continue to train. Please do not be resentful if you are corrected on
a point of etiquette. In the good old days, dojo etiquette was gained by
osmosis. Quite frankly, those that didn’t get it after a while usually
didn’t last too long in our dojo. These days, the martial arts have
attracted a much more varied group of individuals. Osmosis is just not as
good as it used to be. As you read the following, you will notice that some
of the more important details are highlighted. These highlights are, in our
opinion, non-negotiable. No-one is above the common courtesies expressed in
this document. Always remember that all Karate-ka, whether black belt or
beginner, train in the same dojo, on the same floor. All practice the same
techniques and aspire toward the same ideals. There f o re, all are govern e
d by the samere q u i rements of etiquette... If you have questions,
concerns, or comments, ask your Sensei! Good etiquette means good manners.
As we practice good etiquette, we work to perfect our humanity.
Page 2
B e g i n n i n g Upon entering & exiting the dojo students should Rei
(bow). When stepping onto or off the mat, students should Rei (bow) with an
Oss! (This is to show our respect for the room and what it entails, that we
have come to learn and to teach.) When a student wants to show understanding
or agreement, he or she should respond by saying "OSS". Upon stepping into
the dojo, you should try to leave your problems behind. Training re q u i
res a focused mind. Being aware and using common sense is a precursor to
following p roper etiquette. Always address the Instructor as "Sensei".
Never contradict your Sensei in front of others. If you are late, you should
wait until Sensei signals for you to join the class. Bow as you get on the
mat. It is important that you do not disrupt the class in doing so. On
greeting one's Sensei you should Rei (bow). When bowing to another higher
rank, be sure not to look them in the eyes. This is a sign of d i s respect.
(Tr a d i t i o n a l ) When training with an opponent or training part n e
r, both students shall bow simultaneously b e f o reand after training. When
lining up, rank order starts with the senior-most student at the front of
class, on the right hand side of the row (as viewed from the Sensei, his or
her right). Rank descends to that person’s left, and then similarly through
the rows. Generally, other than senior- m o s t students, there is no
seniority within rank (all white belts are equal, all yellow belts, etc).
Respect your training “tools”. Gi’s should be clean and presentable. It is
very inconsiderate, p a rticularly in the warmer months, to forgo washing
your gi after more than a few classes. Protective equipment should be
functional and provide the safety you expect from them. The Obi (Belt)
should always be treated with respect. While the color of the belt is not so
i m p o rtant, the eff o rtto gain the belt should be re m e m b e red and
cherished! Your belt should be aired dry but never washed, as it
symbolically contains the spirit of your hard training. T h e re should be
no eating, drinking, or gum chewing on the mat at any time. No jewelry
should be worn during class.
Page 3
Excessive use of strong colognes, perfumes, cosmetics, or lotions (that can
rub off on anoth- e r’s gi) should be avoided during practice. (I’m afraid
this includes “Bengay” and the such). F i n g e rnails and toenails must be
short, so as to avoid injury to others or oneself. Feet must be clean. Shoes
or sandals are never allowed on the mat. Long hair should be tied back out
of the way. B e f o re starting practice, go to the toilet. An accidental
blow to a full bladder can be extre m e l y d a n g e rous. Try also to
remember that it is not good for the body to train on a full stomach, so
avoid eating for at least one hour before class start s . Students from time
to time will be asked to help clean the dojo mat as needed. This is a g reat
help to Sensei and shows humility and respect for the Dojo and for Sensei.
Sensei will never ask you to do anything he has not already done many times
before you! The facilities at the Dojo (re s t rooms, drink machine, locker
rooms, etc.) should be left in the same, if not better, condition as they
were found upon arr i v i n g . Each student should know his physical
condition, stamina, and physical strength. Do not f o rce yourself to do the
impossible. You may not only injure yourself but your training p a rtner as
well. (In kind, the instructor should always observe the physical condition
of each student, taking short breaks during the training period as may be
required). Do not forget to do warm up exercises before practicing, even if
you are practicing alone. T r a i n i n g A dojo where people respect each
other is key to learning. The teaching and learning is bi- d i rectional:
even though it may seem that Sensei is doing all the teaching, he or she is
still l e a rning from their students as well. This is why we bow to each
other. When an instructor calls for class to begin, line up smartly in rank
ord e r. All but new white belts should know in general where they need to
stand. It should take seconds to line up. When asked to proceed to a
position for some reason during training, always move as quickly as possible
- do not stro l l ! If you have a pre-existing medical condition, a cold, an
injury or whatnot, try to work through it. Part of the challenge of any
martial art is working through what you think your limits are. Listen to
your body and use common sense in these instances. If you have something
contagious, your fellow karate-ka will appreciate your absence. If you are i
n j u red, or in pain, you need to back off and allow your body to heal. Let
Sensei know beforehand if you are not up to 100% of your game.
Page 4
If you are injured during class and are unable to continue, try to stay in
the dojo and bow out with the class when it is over. Questions during class
should be directed to Sensei at an opportune moment. Try not to d i s rupt
class in doing so. On the other hand, you may find very often that other
students a rekeenly interested in the same questions you may have. If class
is very busy, senior black belts can also answer questions or simply defer
your question until end of class. Generally speaking, Sensei is the only
person who should be instructing students unless he or she expressly directs
others to do so! Just because you may outrank another student, or if you
hold a rank of black belt, this does not entitle you to instruct others!
When listening, unless instructed otherwise, students should stand in the
Yoi (“ready”) position. Your attention should be towards the speaker. Do not
fold your arms in the Dojo. This is taken as a sign of disre s p e c t . In
general, a senior person should be aware of a junior person’s abilities and
modify working with them accordingly to keep things safe. Executing
techniques that may involve c o n t a c t re q u i res the utmost control.
Good communication between you and your partner is vital. Just because
you’re junior doesn’t mean that there isn’t half the burden of communicating
with your partner on you. Do not leave the mat during class except in the
case of injury or illness or, if permitted, to drink water. (Water is
important! Do not let yourself get too dehydrated). If you need to leave the
mat for a drink or to go to the re s t room, do so quickly and re t u rn as
soon as possible, d o n ’t hang around the water cooler. If you must leave
class early, make sure you inform your instru c t o r. Do not just
disappear. When straightening your gi, always turn around and face the back
of the class. When an instructor yells “YAME” (STOP), this means that you
and your partner should STOP i m m e d i a t e l y ! At all times you should
respect the founder’s teachings (Shihan Kimura) as interpreted and taught by
your Sensei. It is necessary to respect the way in which the instructor of
the class directs the training. Receive instruction and carry out
suggestions for training sincerely and to the best of your a b i l i t y.
There is no room for argument on the mat. Never stand around idly on the mat
unless you are listening intently to instruction. Yo u should be practicing,
or if necessary waiting your turn . If you have a question for Sensei during
class, go to him or her, never call them over. Bow respectfully and wait for
their acknowledgement.
Page 5
When Sensei is instructing another student, you may stop your practice to
watch. It is i m p o rtant for you not only to learn the technique being
taught but also how your Sensei conducts the instruction. Some day you too
will teach others. If you know the technique being studied and you are
working with someone who does not, you may lead the person through it, but
do not assume the role of the instru c t o r. You are h e re for practice,
do not force your ideas on others. At the same time, respect those who a
remore experienced. Always train within the ability of your part n e r. Do
not practice so as to injure your part n e r. You are both responsible for
each other. Be aware at all times of those around you. Train to develop
awareness in all dire c t i o n s . If you are ever unsure of what to do in
a particular situation ask a senior student or simply follow their lead. The
strength of martial art is not just muscular force. Of equal importance is
flexibility, timing, control and modesty. Be aware of your limitations as
well as your shortcomings. D o n ’t say any words when you kiai. You should
not shout “Kiai”. Kiai is a Japanese term that is a compound of ki meaning
mind, will, or spirit and ai roughly signifying "to unite". It is a s h o rt
yell that martial artists shout before or during a fight or technique. It is
usually linked to the inner amassing of energy released in a single
explosive focus of will. You can see how silly it is to actually shout
“kiai”… Kiai is used for: ■ A psychological effect on your opponent. ■ A
psychological effect on yourself, so-called "pumping yourself up". ■ To
provide an escape route for exhalation of air. ■ To keep air pre s s u rein
your body balanced (holding your breath while taking impact – f rom a kick,
punch or the ground can cause injury. ) . ■ To rapidly contract the
transverse abdominals and other core muscle to provide support for striking
techniques and protection to the internal org a n s . D o n ’t be afraid to
kiai! In general, people tend to kiai too softly rather than too loudly. If
you have a strong kiai, it will often spur others to work harder as well.
The overall tone of a class is set by the level of spirit of the class,
which can be raised with better kiai. When the instructor calls for
“Mokuso!” (meditation), close your eyes, breathe deeply from the lower
stomach, concentrate on the tanden (lower abdomen), and try to achieve
concentration. When you use the training equipment, handle it with care. Be
sure to put it back in the correct place after using it.
Page 6
Never practice Kumite (sparring) unless an instructor is present. When
practicing Kumite with a black belt, do your very best, but show respect for
the rank. If you think you can go harder then do so, but remember that they
have your lower rank in mind while they are sparring, and so will not be
fighting their hard e s t . The instru c t o r, whoever it may be, should be
treated with the respect that you yourself would expect as common court e s
y. If you cannot find it in you to show respect to a person who is taking
their time to teach you, then you do not belong in a karate dojo. Never
ques- t i o n his/her direction; never speak in class unless asked by the
instru c t o r. Such obedience develops a bond of trust between the
instructor and student, which improves mutual re c e p t i v i t y,
simplifying and speeding the learning process. Notify Sensei if you plan to
miss any or all scheduled classes. Any time your Sensei or a higher rank
offers to help you, always accept and listen closely with great enthusiasm
and proper respect. B e f o re beginning a Kumite match it is proper to rei
(bow) to your opponent. Before the match begins the student should bow to
the re f e ree first, then to the opponent. When the match is over the
student should bow to the opponent first then the re f e re e . It is never
appropriate to look a higher ranking judge or your Sensei in the eye in a
threat- ening manner, even in Kata performance. This is very rude, remember
your Sensei’s skill level and strength. This is not someone you want to
threaten but always treat with the utmost respect. DO NOT EVER ask when you
will be promoted to a higher (belt) level. This shows great disrespect and
can only add time to the length of your next promotion. Remember that you
are constantly being tested. When you are ready you will receive your re w a
rd and be advanced forw a rd only by your individual eff o rts and merit
when your Sensei sees you are re a d y. No one takes greater pleasure in
presenting you with your deserved promotion to a higher level than that of
your Sensei. This also assures that you are ready to grow into this rank and
obtain additional knowledge that goes with the level of achievement. T r a d
i t i o n Tradition has played an important role throughout the hundreds of
years that it has taken for the martial arts to develop. One of the oldest
traditions is KATA. Since as early as the 600 A.D., kata has been passed
down from master to student. These pre - a rranged set of movements, which
are supposed to represent combat, are one of karate’s most important
traditions. Another important tradition which has been passed down
throughout the years is RESPECT. As karate practitioners, we show respect in
the form of BOWING.
Page 7
While in the kneeling position, a person bows with the left hand first. This
tradition has existed since the days of the samurai. The left hand was used
first so that the right hand would be free to grasp the Samurai sword if
needed. This tradition also carries over when standing. When getting up from
the kneeling position the right leg is used first, so that if a Samurai was
being attacked, his sword could be drawn without cutting his leg off .
Though the belt systems have changed slightly, they have become an important
tradition in karate. Punching, kicking, sparring, and the use of the kiai
have all become important traditions that have been passed down throughout
the years. Being able to punch at an opponent is easy, but to be able to use
full power and be able to pull it to within just a fraction of a inch is not
as easy. So, it is this tradition of using control with power that makes
karate look so impressive. The use of the kiai has also become an important
tradition. It is said that someone who has mastered the kiai can scare their
opponent to death simply with the scream alone. Now whether these ancient
stories are true or not may never been known, but the fact is that kiai has
become an important part of martial arts tradition throughout the world. I N
T E N T: or no intent. If you punch someone in the nose, or break a rib, it
doesn’t help to s a y, “I didn’t intend to do that, sorry.” No intent, was
really a lack of attention. Stay focused! R A N K : Does not confer
privilege or power. It imposes re s p o n s i b i l i t y ! R U D E N E S S
: Talking while your instructor is speaking, folding your arms, wearing
jewelry, yawning, are all considered ru d e ! A formal dress code is
maintained, and the uniform should be kept clean and complete at all times.
Appearance is an essential element to portraying and projecting an image of
competence and self confidence, especially when there is no opportunity for
verbal com- munication. Everyone wearing the same uniform and functioning
together under the same rules of etiquette is a silent but tangible and
constant example of harmony. The repetition of pre-set movements during a
workout are a practical form of meditation, as it f o rces the mind to focus
on the task at hand until the movements become almost unconscious. The goal
of every true martial artist must be to achieve this state of inner peace
and harm o n y, which permits the mind to perceive, understand, and improve
upon the reality inherent in l i f e ’s influences with clarity and
independence of action. All other goals, including quests for material
wealth, power, prestige, social status, and even love, could ultimately
prove false and hollow without it, as a person can gain all of these things
and still not have peace of mind. In a combat situation, preoccupation with
emotions, motives like vengeance, worries about self image, fear of failure
or injury or even personal survival are all paralyzing obstacles to a p p
ropriate action. It is important to guard against the natural human tendency
to fall victim to emotional suggestions, subjective impressions, and seeing
things as you want them to be rather than as they are. Conversely, it is
dangerous to focus your mind too much on the attitude your rival, or even a
leader, may assume, for such posturing may be deliberately
Page 8
designed to be misleading. The goal is to train until it is possible to
remain undisturbed by any situation, even one that may be life threatening,
as if nothing critical is happening. 1 . Never tire of learning, anywhere,
any time; this is the secret of knowledge. Be eager to ask questions and
learn. Appreciate the thrill of learn i n g . 2 . Be willing to sacrifice
for the art and the instru c t o r. Respect the skills you are learn i n g ,
and the eff o rts it took to bring them to you. 3 . Always be loyal to the
instructor and the teaching methods. If you disagree with any procedure or
technique, discuss it privately with the instructor. 4 . Practice what you
learn and try to perfect your techniques to the best of your abilities. This
includes spare time in the gym, and regularly doing conditioning exercises
at home on off days. 5 . D i s c a rdany techniques you have learned from
another school if your instructor d i s a p p roves of it. 6 . Always set a
good example for lower belts. Be aware that they will try to emulate senior
students. 7 . Help other students to learn and succeed. Recognize that you
are all members of a stro n g g roup sharing common goals and intere s t s .
8 . Remember your conduct inside and outside the gym reflects upon the art
and the instructor. Keep in mind that you can not discard your
responsibility for the martial arts skills which you have learned, wherever
you go. We hope this guide has been helpful to you and that you put it to
good use. Oss!